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The following news articles are geared toward students and other professionals.
Landscape Architecture
PARK(ing) Day Shows the Value of Public Space Print E-mail
Thursday, 21 September 2017 21:35

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On Friday, September 15, the American Society of Landscape Architects (ASLA) participated in PARK(ing) Day, an annual, open-source event that asks landscape architects and other designers to re-imagine parking spaces as small, miniature parks, or parklets. PARK(ing) Day aims to educate people about the value of public space and what it can bring to a community.

ASLA professional and student members from across the country transformed simple parking spaces into places with nearly-endless possibilities. For example, the Illinois Chapter of ASLA created a hamster wheel to get people moving in the limited space (see image above).

The Auburn ASLA Student Chapter designed a space to hold a small concert for passersby.

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The New York Chapter of ASLA hosted a dialogue with New York City Parks Commissioner Mitchell Silver about public space.

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Hord Coplan Macht, a landscape architecture firm based in Baltimore, showed off some local pride.

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And others just wanted to relax with some friends on a Friday afternoon like these Kansas State University students.

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We asked our members to share their parklets on social media with #ASLAPD17. More than 300 users posted nearly 850 times with the hashtag, reaching more than half-a-million people worldwide. To see all posts, visit our Tagboard.


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Life after Harvey and Irma: How Will We Rebuild Our Cities? Print E-mail
Wednesday, 20 September 2017 20:51
ASLA 2014 Professional General Design Honor Award. Hunter’s Point South, Queens, New York. Thomas Balsley Associates and Weiss/Manfredi / © Albert Večerka

Hurricanes Harvey and Irma might have passed by, but their consequences haven’t. Vast areas of Texas and Florida were devastated, and we’re only starting to assess the damage they left in their paths. Not only are natural disasters becoming more frequent, but they are hitting us with greater force. If you turned on the news in the past two weeks to view the coverage, you’ve seen firsthand that our nation’s cities have not been built with an eye to for resilience in the face of extreme climate events; the scale of the damages and displaced are evidence of that.

Now that tragedy has hit Texas and Florida, we can either dwell on the past and play the blame-game, or we can look to the future and decide to rebuild the affected cities in a way that will minimize the damage when another natural disaster hits – because it will.

Infrastructure and foresight are central to rebuilding efforts. As communities rebuild from disasters such as Harvey and Irma, they have an opportunity to invest in and adapt their landscapes to meet the changing climate conditions. This includes transportation and land planning that integrates green infrastructure to provide critical services for communities, protect against flooding and excessive heat, and help to improve air and water quality.

Taking action now and rebuilding our nation’s cities the right way can reduce damage resulting from future natural disasters.

We know how to do this. An excellent example of resilient design is Hunter’s Point South Waterfront Park. Built in Queens, New York, it addresses urban resilience and sustainability. The City of New York commissioned the designers, Thomas Balsley Associates and Weiss/Manfredi, to create a park with an infrastructure ready to withstand rising water levels during storm surges and 100-year flood conditions.

The park quickly proved why planning meant everything. Even before it was publicly open, Hurricane Sandy hit New York and the park in 2012. While the Big Apple suffered the consequences of Sandy, Hunter’s Point South drained as planned and completion of the project continued with little setback. Landscape architecture projects such as Hunter’s Point South demonstrate how innovative design can create sustainable and resilient urban environments.

The consequences of climate change are inevitable. We urge federal, state, and local policy makers to invest in thoughtful and climate-resilient solutions to systemic infrastructure issues. That’s why ASLA is convening a multidisciplinary blue ribbon panel of experts to create actionable recommendations. The 11 experts will meet on Thursday, September 21, through Friday, September 22, 2017, and publicly present their findings and policy recommendations in the form of a report in January 2018.

Our hope is that the findings and recommendations of this report will inspire our decision makers to take action as we rebuild our cities and prepare for intensifying natural disasters.

This post is by Nancy Somerville, Hon. ASLA, Executive Vice President and CEO, American Society of Landscape Architects


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Landscape Architecture in the News (September 1 – 15) Print E-mail
Tuesday, 19 September 2017 17:42
Capture
At the home of Carole Olshan, trumpet vines form an arch over a bench in a kitchen garden / Daniel Gonzalez for The New York Times

How Does the Hamptons Garden Grow? With a Lot of Paid Help The New York Times, 9/5/17
“The rigors of vegetable gardening, for most people, are humble and gritty: planting, weeding, dirtying knees, working up a sweat and maybe straining a back muscle or two.”

Field Operations, OLIN, West 8 Among Finalists to Redesign Philly Airport Landscape Curbed Philadelphia, 9/6/17
“The Philadelphia International Airport and the Pennsylvania Horticulture Society (PHS) have announced the five finalists in their competition to redesign 130 acres of land around the airport—and it’s a doozy of a list that includes at least two Philly-based landscape architecture firms.”

How a South African Artist Blends Art and UrbanizationCityLab, 9/12/17
“In much of her work, Svea Josephy, an associate professor at the University of Cape Town’s Michaelis School of Fine Art, examines how urbanization can be explored through art.”

The Suburb of the Future, Almost Here The New York Times, 9/15/17
“The suburbanization of America marches on. That movement includes millennials, who, as it turns out, are not a monolithic generation of suburb-hating city dwellers.”

Here Are Some of Our Favorite PARK(ing) Day Interventions The Architect’s Newspaper, 9/15/17
“This year, the American Society of Landscape Architects asked landscape architects all over the country to invest their quarters on temporary, miniature green spaces. Here are some of our favorites from the #ASLAPD17 hashtag on social media.”


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Farum Midtpunkt by Rambøll Architecture and Urban Development Print E-mail
Tuesday, 19 September 2017 11:51
Rambøll Architecture and Urban Development: Farum Midtpunkt is a famous social housing building from the 1970s, situated in Northern Zealand, Denmark. It is based on modernist principals where the idea was to combine single-family homes with public functions in a closed community. The residents wanted Farum Midtpunkt to be more open to the surrounding areas […] Add a comment
 
America’s Memorials Can Be Designed to Evolve Print E-mail
Monday, 18 September 2017 17:51
Robert E. Lee statue in Charlottesville, Virginia / Wikipedia

Confederate monuments and other long-tolerated symbols of racism are beginning to be expelled from America’s civic landscapes. As we engage in these acts of reconciliation and removal, it is worth a significant pause to consider why we seem to habitually design memorial landscapes for indelible permanence in the first place?

A memorial – whether a monument or otherwise — is simply a tangible container for memory through time. We benefit from having designated places to recall memory and emotion – whether grief, pain, fear, anger, love, respect, reverence, gratitude, awe, pride, or joy.

Part of the complexity of being human means that it is possible to feel multiple emotions simultaneously, and also that our feelings and memories are dynamic and can change over time. New knowledge and experience, and a genuine willingness to face difficult truths can significantly alter and expand our perception.

As such, might there be virtue in designing certain memorial landscapes to allow for a degree of fluidity and change?

Moving forward, American monuments and memorial landscapes in the 21st century may better be able to embody shared cultural values; reflect an inclusive and emotionally-intelligent view of history; mirror and support dynamic emotional processes; aid healing, forgiveness, and reconciliation; honor diversity, accept death, and truly affirm life if they are designed to consider the virtues and qualities of transience, adaptability, and vitality.

Transience

Despite the air of permanence many of these historic icons convey, it is laudable that several local governments and institutions have acted boldly to remove Confederate statues. A monument that marks an important time in history, but that simultaneously is widely perceived to be symbolic of racism, may best be retired or kept in a museum, rather than in the heart of a public square or civic space.

A 2017 study by the Southern Poverty Law Center found that 1,500 Confederate symbols can be found in public spaces across the country – they are monuments as well as named roads, municipalities, parks, institutions, and public works. The “undoing” of this landscape legacy is more easily wrought for a small statue than it is for an immense earthwork like Stone Mountain in Georgia, but no memorial is immune to the laws of impermanence.

As the voices of the oppressed are increasingly heard, and intolerance of hatred leads to action, our public and private landscapes should be able to adapt as we literally rewrite history with greater honesty, compassion, inclusion, integrity, maturity, apology, and courage.

It is time that we finally own the stories of extreme colonial and racist violence that undeniably define the conquest and development of the United States as a country. Realizing the long overdue expiration date of a monument whose presence detracts from equality should cause us to consider that not everything we erect in stone, bronze, and steel should last forever.

In 2015, three statues representing the Spanish missionary Junipero Serra were vandalized in my home community of Monterey County, California. Like Robert E. Lee, Serra practiced and promoted slavery. He and his missionaries displaced thousands of Esselen, Ohlone, Costanoan and other native people from what had been their homeland for millennia. Colonial violence and oppression included rape, slavery, abuse, isolation, exposure to disease, and deliberate suppression of language and culture.

The beheading of a statue at the Lower Presidio in Monterey occurred in the same year Serra was canonized as a Saint by the Catholic Church. While some lamented the defamation of the city’s co-founder, and the damage to this 1891 relic of post-contact California history, it is clear that these statues, similar to those of Lee, symbolize racism. Even more insultingly, they morally validate an individual who contributed to the near extinction of the Esselen people and many other tribes that were severely oppressed under missionization.

Headless Junipero Serra statue / US Franciscans

Even if one or more of our local Serra statues were removed or relocated, the Spanish names prevalent here and throughout California convey a daunting dominance, rendering the first names given to our local geography largely forgotten, and the living community of the Ohlone-Costanoan-Esselen Nation, who have yet to gain federal recognition, nearly invisible.

Landscape is not always a mirror of the diversity of cultures that inhabit it. As we look closely at what our own cities and neighborhoods fail to reflect, it is worth considering what kind of reconciliation can be achieved simply through acts of deconstruction and renaming.

Adaptability

While grief may leave a permanent scar, and render permanent change within an individual or a community, grief is also a dynamic and ongoing process. How can a memorial wholly acknowledge the severity of trauma and loss, while inspiring hope for the recovery of the broken-hearted? How can we remarry simple civic ritual to our most important public spaces?

In the case of the National September 11 Memorial, for example, beautifully and sensitively designed by architect Michael Arad and landscape architect Peter Walker, FASLA, what would it mean to the people of New York City (and to the country and even the world as a whole) if one of the two “voids” that symbolize loss in the footprints of the towers were to someday be partially filled? What might it mean to extend the swamp white oak grove to a lower level – to fill the voids with life, once the cascading water has washed away the rawness of grief? What if there were an opportunity for individuals to ritually contribute to this physical transformation – one shovel-full of soil at a time? What kind of deeper healing and forgiveness might be able to occur if there were a collective gesture made to physically mirror a transformation beyond the initial, radical enormity of grief?

National September 11 Memorial / PWP Landscape Architecture

What do we want this memorial to reflect about our culture 100, 500 or 1,000 years into the future, whether it is still intact, or an archaeological relic. Relentless and permanent grief? Resilience? Forgiveness?

Vitality

Should memorials be hard or soft? Inanimate or living? The concept of a memorial garden or grove honors life with vitality itself. Cemeteries that encourage tree planting instead of headstones are becoming increasingly common, as are natural burials in which the body is allowed to decompose underground, feeding the biotic community in the soil, versus being chemically embalmed and preserved in an impenetrable coffin.

The 9-11 Memorial hosts a Survivor Tree Seedling program, in which seedlings from a Callery pear tree that survived the attack are gifted to communities that have endured tragedy. This achieves the highest good that a memorial possibility can – breeding compassion in the present moment, and in the form of a living and life-giving tree.

September 11 survivor tree / Smithsonian

A memorial need not be bound to one particular place – and therefore may be more widely accessible.

As my mother was a lover of birds, I have chosen to remember her through them. Hawks, owls, wrens, robins, cranes, indigo buntings, cormorants, warblers, finches, sparrows, crows. Each bird reminds me of something different about her, each inspires a unique affection, and each encounter uplifts.

Californian condor / Jessica Neafsey

In choosing to remember her this way, the mountain valley that descends from my east-facing deck, over which countless birds soar, has become an arena for reflection and remembrance of her. The sky itself has become a bridge to the unconditional love I still feel with her. A memorial need not be made of or bound to the Earth.

In the words of Celtic poet and author John O’Donohue, “not all woundedness succeeds in finding its way through to beauty of form. Where woundedness can be refined into beauty, a wonderful transfiguration takes place.”

I hope the unrest we are living through leads to nothing less than a renaissance of American memory, which will see our landscapes adapt to reflect unprecedented American wisdom, compassion, inclusion, and grace – until it’s time to revisit our storytelling, once again.

This guest post is by Jessica Neafsey, ASLA, founder of Jay Blue Design in Carmel, California.


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Copyright © 2017. Robert Hewitt | Clemson University professor of Landscape Architecture.
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